Coda | prefatory material


Ackerman, Alan L., Jr. "Visualizing Hamlet's Ghost: The Spirit of Modern Subjectivity." Theatre Journal 53 (2001): 119-44.

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. New York: Routledge, 1992.

Akstens, Thomas. "Redression as a Structural Imperative in Shaffer's Equus." Journal of Dramatic Theory and Criticism 6.2 (1992): 89-98.

Andrews, Michael Cameron. "Hamlet: Revenge and the Critical Mirror." English Literary Renaissance 8.1 (Winter 1978): 9-23.

Anonymous. "Great News / FROM / Middle-Row / IN / HOLBOURN: / OR A TRUE / RELATION / OF / A DREADFUL / GHOST / WHICH / Appeared in the Shape of one Mrs. Adkins, to se- / veral persons but especially to a Maid-Servant / at the Adam and Eve, all in a Flame of Fire / On Tuesday-night last, being the 16th of this instant March 1679." 1679.

Anonymous. "A / NARRATIVE / OF THE / Demon of Spraiton. / In a Letter from a Person of Quality in the / COUNTY of DEVON, / To a Gentleman in / LONDON, / WITH A / RELATION / OF AN / APPARITION or SPECTRUM / OF / An ancient GENTLEMAN of Devon, / who often Appeared to his Sons Servant. With / the strange Actions and Discourses happening between them at divers times. / AS LIKEWISE / The DÆMON of an ancient WOMAN, Wife of / the Gentleman aforesaid. With Unparall'd Varieties of strange / exploits performed by her." 1683.

Anonymous. "News from / PUDDLE-DOCK / IN / LONDON: /OR, / A Perfect particuler of the strange Apparitions and Transactions that have happened in the House of Mr. Edward Pitts next Door to the Still at Puddle-Dock." 1674.

Anonymous. "A Strange and wonderfull / DISCOVERY / Of a horrid and cruel / MURTHER / Committed fourteen years since, upon / the Person of Robert Eliot of London, at / Great Driffield in the East-Riding / of the County of York." 1662.

Anonymous. "Strange and wonderful News / FROM / LINCONSHIRE. / Or a Dreadful ACCOUNT / OF / A most INHUMANE / AND / Bloody Murther, / Committed upon the Body of one Mr. Carter, by the / contrivance of his Elder Brother who [. . .] / three more Villains to commit the [. . .] / how it was soon after found out by [. . .] a most dreadful and terrible Ghost, sent by Almighty / Providence for the Discovery." 1679.

Anonymous. "A True / RELATION / of the / Horrid Ghost / Of a Woman, which hath frequent-/ly been seen in various Habits, / in the house of Nicholas Broaday, / at the Three Mariners / in Depthford, / Upon the Third, Fourth, and Sixth / of this instant April, 1673. / By Peter Griffith, Robert Predam, and John Stolliard, belonging to His Majesty's / Ship, called The Monck, and sev- / eral others of the Family." 1673.

Bate, Jonathan. "Staging the Unspeakable: Four Versions of Titus Andronicus." Shakespeare from Text to Stage. Ed. Patricia Kennan and Mariangela Tempera. The Renaissance Revisited 1. Bologna: Cooperativa Libraria Universitaria Editrice Bologna, 1992. 97-110.

Bayley, John. Shakespeare and Tragedy. London: Routledge and Kegan Paul, 1981.

Bennett, Gillian. "Alas, Poor Ghost!": Traditions of Belief in Story and Discourse. Revised and expanded edition of Traditions of Belief: Women and the Supernatural (Harmondsworth: Pelican, 1987). Logan, UT: Utah State University Press, 1999.

Berger, Thomas L., William C. Bradford, and Sidney L. Sondergard. An Index of Characters in Early Modern English Drama Printed Plays, 1500-1660. 1975. Rev. Ed. Cambridge: Cambridge University Press, 1998.

Bergeron, David M. "Art within The Second Maiden's Tragedy." Medieval and Renaissance Drama in England 1 (1984): 173-86.

Booth, Stephen. King Lear, Macbeth, Indefinition, and Tragedy. New Haven, CT: Yale University Press, 1983.

---. "On the Value of Hamlet." Reinterpretations of Elizabethan Drama. Ed. Norman Rabkin. New York: Columbia University Press, 1969. 137-76.

Boyle, A. J. "Hic Epulis Locus: The Tragic Worlds of Seneca's Agamemnon and Thyestes." Seneca Tragicus: Ramus Essays on Senecan Drama. Ed. A. J. Boyle. Berwick, Victoria: Aureal Publications, 1983. 199-228.

---. Tragic Seneca. London: Routledge, 1997.

Braden, Gordon. Renaissance Tragedy and the Senecan Tradition: Anger's Privilege. New Haven, CT: Yale University Press, 1985.

Burks, Deborah G. "'I'll Want My Will Else': The Changeling and Women's Complicity with their Rapists." ELH 62.4 (Winter 1995): 759-90.

Carroll, Noël. The Philosophy of Horror: Or Paradoxes of the Heart. New York: Routledge, 1990.

Cartwright, Kent. Shakespearean Tragedy and Its Double: The Rhythms of Audience Response. University Park, PA: The Pennsylvania State University Press, 1991.

Cavell, Stanley. Disowning Knowledge in Seven Plays of Shakespeare. Rev. ed. Disowning Knowledge in Six Plays of Shakespeare. 1987. Cambridge: Cambridge University Press, 2003.

Chaudhuri, Una. "The Spectator in Drama/Drama in the Spectator." Modern Drama 27.3 (September 1984): 281-98.

Clarke, William. "The Rest-less Ghost: /OR,/ Wonderful News from Northampton / shire, and Southwark." 1675.

Coddon, Karen S. "'For Show or Useless Property': Necrophilia and The Revenger's Tragedy." ELH 61 (Spring 1994): 71-88.

Coffey, Michael. "Generic Impropriety in the High Style: Satirical Themes in Seneca and Lucan." Satura Lanx: Festschrift für Werner A. Krenkel. Ed. Claudia Klodt. Spudasmata 62. Hildesheim: Georg Olms Verlag, 1996. 81-93.

Cressy, David. Birth, Marriage, and Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England. 1997. Oxford: Oxford University Press, 1999.

Cunningham, Karen. "'Scars Can Witness': Trial by Ordeal and Lavinia's Body in Titus Andronicus." Women and Violence in Literature: An Essay Collection. Ed. Katherine Anne Ackley. New York: Garland Publishing, 1990: 139-62.

Daalder, Joost. "The Role of 'Senex' in Kyd's The Spanish Tragedy." Comparative Drama 20.3 (Fall 1986): 247-60.

Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. 1986. New York: Oxford University Press, 1988.

Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. 1966. London: Routledge, 1996.

Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England 1400-1580. New Haven: Yale University Press, 1992.

Eaton, Sara. "Beatrice-Joanna and the Rhetoric of Love." Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Eds. David Scott Kastan, Peter Stallybrass. New York: Routledge, 1991. pp. 275-89.

---. "'Content with art'?: Seeing the Emblematic Woman in The Second Maiden's Tragedy and The Winter's Tale." Shakespearean Power and Punishment: A Volume of Essays. Ed. Gillian Murray Kendall. Madison-Teaneck-London: Fairleigh Dickinson University Press-Associated University Presses, 1998. 59-86.

Endel, Peggy. "Profane Icon: The Throne Scene of Shakespeare's Richard III." Comparative Drama 20.2 (Summer 1986): 115-23.

Euripides. Hippolytus. Transl. David Grene. Euripides I. Introd. Richmond Lattimore. The Complete Greek Tragedies. Ed. David Grene and Richmond Lattimore. Chicago: University of Chicago Press, 1955.

Ferguson, Margaret W. "Hamlet: letters and spirits." Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 292-309.

Finucane, R. C. Ghosts: Appearances of the Dead and Cultural Transformation. Amherst, NY: Prometheus Books, 1996.

Freud, Sigmund. "The 'Uncanny.'" ["Das Unheimliche," 1919.] An Infantile Neurosis and Other Works. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 17. Transl. James Strachey et al. London: The Hogarth Press and the Institute of Psychoanalysis, 1953.

Fright Night. Dir. Tom Holland. Columbia Pictures, 1985.

Garber, Marjorie. Shakespeare's Ghost Writers: Literature as Uncanny Causality. New York: Routledge, 1987.

Godard, Thomas. "THE / Deemon of Marleborough, / OR, / More News from VVilt-shire. / In a Most Exact Account of the Apparition of / the Ghost, or Spirit of Edward Aven." 1675.

Greenblatt, Stephen. Hamlet in Purgatory. Princeton: Princeton University Press, 2001.

Gruber, William E. "Building a Scene: The Text and Its Representation in The Atheist's Tragedy." Comparative Drama 19.3 (Fall 1985): 193-208).

Harris, Bernice. "Sexuality as a Signifier for Power Relations: Using Lavinia, of Shakespeare's Titus Andronicus." Criticism 38.3 (Summer 1996): 383-406.

"Harvest, The." Buffy the Vampire Slayer 1.2. WB. Original airdate 3/10/97.

Hawkes, Terence. "Telmah." Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 310-32.

Henry, Denis, and Elisabeth. The Mask of Power: Seneca's Tragedies and Imperial Rome. Warminster, Wiltshire: Aris & Phillips, Ltd., 1985.

Heywood, Thomas. "AN / APOLOGY / For Actors / Containing three briefe / Treatises. / 1 Their Antiquity. / 2 Their ancient Dignity. / 3 The true vse of their quality." 1612.

Hieronymus Magomastix. "The strange / VVITCH / AT / GREENVVICH, / (Ghost, Spirit, or Hobgoblin) haunting / a Wench, late servant to a Miller, suspected / a Murtherer of his late Wife: / With curious Discussions of walking spirits and spectars of / dead Men departed, for rare and mysticall knowledge and discourse." 1650.

Hill, Eugene D. "Senecan and Vergilian Perspectives in The Spanish Tragedy." English Literary Renaissance 15.2 (Spring 1985): 143-65.

Howson, Frank. "Horror and the Macabre in Four Elizabethan Tragedies: The Revenger's Tragedy, The Duchess of Malfi, The Second Maiden's Tragedy, The Atheist's Tragedy." Cahiers Elisabethains 10 (Oct. 1976): 1-12.

James, Heather. "Cultural Disintegration in Titus Andronicus: Mutilating Titus, Vergil, and Rome." Violence in Drama. Ed. James Redmond. Themes in Drama 13. Cambridge: Cambridge University Press, 1991. 123-40.

Jones, Edward. "The Confined World of The Changeling." Cahiers Elisabethains 39 (Apr. 1991): 47-55.

Kerrigan, John. Revenge Tragedy. Oxford: Clarendon Press, 1996.

Kowsar, Mohammad. "Middleton and Rowley's The Changeling: The Besieged Temple." Criticism 28.2 (Spring 1986): 145-64.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. 1980. Transl. Leon S. Roudiez. European Perspectives. New York: Columbia University Press, 1982.

Kyd, Thomas. The Spanish Tragedy. The First Part of Hieronimo and The Spanish Tragedy. Ed. Andrew S. Cairncross. Regents Renaissance Drama. Lincoln: Bison Books-University of Nebraska Press, 1967.

Lancashire, Anne. "The Second Maiden's Tragedy: A Jacobean Saint's Life." The Review of English Studies N.S. 25 (1974): 267-79.

Levin, Harry. The Question of Hamlet. New York: Oxford University Press, 1959.

Levin, Richard. "The Double Plot of The Second Maiden's Tragedy." SEL: Studies in English Literature 1500-1900 3.2 (Spring 1963): 219-31.

Lindley, Arthur. "Abattoir and Costello: Carnival, The Revenger's Tragedy and the Mental Landscape of Revenge." AUMLA: Journal of the Australasian Universities Language and Literature Association 98 (Nov. 2002): 45-54.

Littlewood, Cedric. "Seneca's Thyestes: The Tragedy with No Women?" MD: Materiali e discussioni per l'analisi dei testi classici 38 (1997): 57-86.

Lovel, Henry. "Horrid and Strange News from / IRELAND / Being a True / RELATION / Of what happened in the Province of / Munster, at a Castle of one of the Fitz Garrets, / called Ballimarter, wherein there were very / strange Apparitions, the like never before / heard of, to the amazement of all / the Beholders." 2nd Ed. 1643.

Low, Anthony. "Hamlet and the Ghost of Purgatory: Intimations of Killing the Father." English Literary Renaissance 29.3 (Autumn 1999): 443-67.

Macdonald, Ronald R. "The Unheimlich Maneuver: Antithetical Ways of Power in Shakespeare." Shakespearean Power and Punishment: A Volume of Essays. Ed. Gillian Murray Kendall. Madison-Teaneck-London: Fairleigh Dickinson University Press-Associated University Presses, 1998. 197-209.

Mack, Maynard. "The World of Hamlet." The Yale Review 41.4 (June 1952): 502-23.

Maguire, Laurie. "'Actions that a man might play': Mourning, Memory, Editing." Performance Research 7.1 (2002): 66-76.

Malcolmson, Cristina. "'As Tame as the Ladies': Politics and Gender in The Changeling." English Literary Renaissance 20.2 (Spring 1990): 320-39.

Maquerlot, Jean-Pierre. "How to Do Things with Words: Performative Rhetoric in Titus Andronicus." Cahiers Elisabethains 54 (Oct. 1998): 45-53.

Marshall, Cynthia. "'I can interpret all her martyr'd signs': Titus Andronicus, Feminism, and the Limits of Interpretation." Sexuality and Politics in Renaissance Drama. Studies in Renaissance Literature 10. Ed. Carole Levin and Karen Robertson. Lewiston, NY: The Edwin Meller Press, 1991: 193-213.

McMillin, Scott. "The Figure of Silence in The Spanish Tragedy." ELH 39.1 (1972): 27-48.

Middleton, Thomas, and William Rowley. The Changeling. Ed. George Walton Williams. Regents Renaissance Drama. Lincoln: University of Nebraska Press, 1966.

Milton, John. Paradise Lost. John Milton: Complete Poems and Major Prose. Ed. Merritt Y. Hughes. New York: Macmillan Publishing Company, 1957. 211-469.

Miner, Michael D. "Grotesque Drama in the '70s." Kansas Quarterly 12.4 (Fall 1980): 99-109.

Motto, Anna Lydia, and John R. Clark. "Seneca's Visionary Drama." Listy filologické 120.1-2 (1997): 34-41.

Mustazza, Leonard. "A Jealous God: Ritual and Judgment in Shaffer's Equus." Papers on Language and Literature 28.2 (Spring 1992): 174-84.

Nietzsche, Friedrich. Beyond Good and Evil: Prelude to a Philosophy of the Future. Transl., Introd., Commentary R. J. Hollingdale. Harmondsworth: Penguin Books, 1978.

---. Jenseits von Gut und Böse: Vorspiel einter Philosophie der Zukunft. Nietzsche's Werke. Erste Abtheilung. Band VII. Leipzig: Druck und Verlag von C. G. Naumann, 1903.

"Nightmares." Buffy the Vampire Slayer 1.10. WB. Original airdate 5/12/97.

Palmer, D. J. "The Unspeakable in Pursuit of the Uneatable: Language and Action in Titus Andronicus." Critical Quarterly 14 (1972): 320-39.

Parker, Patricia. Shakespeare from the Margins: Language, Culture, Context. Chicago: University of Chicago Press, 1996.

Pentzell, Raymond J. "The Changeling: Notes on Mannerism in Dramatic Form." Comparative Drama 9.1 (Spring 1975): 3-28.

Plunka, Gene A. "The Existential Ritual: Peter Shaffer's Equus." Kansas Quarterly 12.4 (Fall 1980): 87-97.

Prosser, Eleanor. Hamlet and Revenge. 1967. 2nd Ed. Stanford, CA: Stanford University Press, 1971.

Rabinowitz, Peter J. Before Reading: Narrative Conventions and the Politics of Interpretation. Ithaca: Cornell University Press, 1987.

Richard III. Dir. Richard Loncraine. United Artists, 1995.

Rosslyn, Felicity. "Villainy, Virtue and Projection." Cambridge Quarterly 30.1 (2001): 1-17.

Rowe, Katherine A. "Dismembering and Forgetting in Titus Andronicus." Shakespeare Quarterly 45.3 (Fall 1994): 279-303.

Rudich, Vasily. Dissidence and Literature under Nero: The Price of Rhetoricization. London: Routledge, 1997.

Sacks, Peter. "Where Words Prevail Not: Grief, Revenge, and Language in Kyd and Shakespeare." ELH 49.3 (Fall 1982): 576-601.

Saugères, Lise. "Is This Space Yours or Mine? A Study of Personal Space in Hauntings." Culture and Tradition 13 (1989): 94-108.

Segal, Charles. Language and Desire in Seneca's Phaedra. Princeton, NJ: Princeton University Press, 1986.

Seneca. Agamemnon. Seneca IX: Tragedies II. Transl. Frank Justus Miller. Loeb Classical Library. 1917. Cambridge, MA: Harvard University Press, 1987.

---. Octavia. Seneca IX: Tragedies II. Transl. Frank Justus Miller. Loeb Classical Library. 1917. Cambridge, MA: Harvard University Press, 1987.

---. Thyestes. Seneca IX: Tragedies II. Transl. Frank Justus Miller. Loeb Classical Library. 1917. Cambridge, MA: Harvard University Press, 1987.

---. Troades. Seneca VIII: Tragedies I. Transl. Frank Justus Miller. Loeb Classical Library. 1917. Cambridge, MA: Harvard University Press, 1998.

Shaffer, Peter. Equus. 1973. New York: Penguin Books, 1977.

Shakespeare, William. The Norton Shakespeare. Ed. Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisman Maus. New York: W.W. Norton & Company, 1997.

---. Titus Andronicus. Ed. Jonathan Bate. The Arden Shakespeare. Third Series. London: Routledge, 1995.

Shapiro, James. "'Tragedies naturally performed': Kyd's Representation of Violence." Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Eds. David Scott Kastan, Peter Stallybrass. New York: Routledge, 1991. pp. 99-113.

Simpson, Haskell. "A Pair of Desert Saints: Name Symbolism in Peter Shafer's Equus." Names: Journal of the American Names Society 41.3 (September 1993): 183-93.

Stallybrass, Peter. "Reading the Body and the Jacobean Theater of Consumption." Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Ed. David Scott Kastan, Peter Stallybrass. New York: Routledge, 1991. pp. 210-20.

Stockholder, Kay. "'Yet can he write': Reading the Silences in The Spanish Tragedy." American Imago 47 (Summer 1990): 93-124.

Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. New York: Grove Press, 1968.

Stull, William L. "'This Metamorphosde Tragoedie': Thomas Kyd, Cyril Tourneur, and the Jacobean Theatre of Cruelty." Ariel 14.3 (July 1983): 35-49.

Tarrant, R. J. "Greek and Roman in Seneca's Tragedies." Harvard Studies in Classical Philology 97 (1995): 215-30.

Tate, Nahum. The History of King Lear. Ed., introd. James Black. Regents Restoration Drama. Lincoln, NE: University of Nebraska Press, 1975.

Tietze Larson, Victoria. The Role of Description in Senecan Tragedy. Studien zur klassischen Philologie 84. Frankfurt am Main: Peter Lang, 1994.

Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Transl. Richard Howard. Cleveland, OH: The Press of Case Western Reserve University, 1973.

Tourneur, Cyril. The Atheist's Tragedy. Ed. Brian Morris and Roma Gill. New Mermaids. London: A&C Black, 1976.

--- [?]. The Revenger's Tragedy. Ed. Lawrence J. Ross. Regents Renaissance Drama. Lincoln: Bison Books-University of Nebraska Press, 1966.

Turner, Victor. From Ritual to Theatre: The Human Seriousness of Play. New York: PAJ Publications, 1982.

Vandenbroucke, Russell. "Equus: Modern Myth in the Making." Drama and Theatre 12.2 (Spring 1975): 129-33.

Walls, Doyle W. "Equus: Shafer, Nietzsche and the Neuroses of Health." Modern Drama 27.3 (September 1984): 314-23.

Watterson, Bill. There's Treasure Everywhere. Calvin and Hobbes 10. Kansas City, MO: Andrews and McMeel, 1996.

Wigler, Stephen. "If Looks Could Kill: Fathers and Sons in The Revenger's Tragedy." Comparative Drama 9.3 (Fall 1975): 206-25.

Wilbern, David. "Rape and Revenge in Titus Andronicus." English Literary Renaissance 8.2 (Spring 1978): 159-82.

Williams, Raymond. Drama in Performance. Rev. ed. 1968. Harmondsworth: Pelican-Penguin, 1972.

Wilson, John Dover. What Happens in Hamlet. 1935. 3rd ed. 1951. Cambridge: Cambridge University Press, 1964.

Zimmerman, Susan. "Animating Matter: The Corpse as Idol in The Second Maiden's Tragedy." Renaissance Drama N.S. 31 (2002): 215-43.

Coda | prefatory material

© Sarah Monette 2004     Feel free to link to this academic trial-by-ordeal, but please do not reproduce it without permission.